Before becoming a filmmaker, Loren Sears earned a BA in Physics from the University of Oregon  with graduate study in physics and computer science at Syracuse University and the University of Michigan. He was employed as a computer programmer and researcher at the Syracuse University Computing Center; the UM High Energy Physics Research Group; and by IBM (SBC), Palo Alto. He currently lives in his hometown of Eugene, Oregon, near his two children, and 93 year old mother, where he practices Buddhism, dancing and community building. He was born in Seneca, Nebraska on November 17.

San Francisco, 1965, he began making avant-garde films and video; a founding member of Canyon Cinema Coop; manager of Canyon Cinematheque; numerous artistic/documentary films and videos of alternative and Native American cultures; artist-in-residence, creative director, KQED-TV.

Taught filmmaking San Francisco Art Institute and University of California SF; video at Evergreen State College, Olympia, WA.

One-man shows in SF; Yale University; Philadelphia College of Art; and Huntington Hartford Museum, NY; Secret Cinema, London, UK. In collections of the Whitney Museum of Art, New American Cinema; Pacific Film Archive, Berkeley; Rock and Roll Hall of Fame. Exhibitions Of Note: 2007 Cannes Festival, Short Film Corner; Award 1967 Yale Film Festival;  Robert Flaherty Film Seminar (1967); Ramme Rokke Festival, Hvitsten, Norway (2007).  Contributions to PBS American Experience, "Summer of Love" (2007); feature film "Commune" (2006) J Berman; "Breaking The Rules," (2004) Neuzeitfilm, Germany.

                                               VISUAL FILMMAKING (link)

Visual filmmaking differs from predominantly narrative film forms, but is most comparable to music, painting & poetry. And there are almost as many styles of visual filmmaking as there are of those allied arts. Visual experience relies on the whole sensorium of color, image, motion, sound and time rather than representational imagery and dialogue, and appeals to the emotional/intuitive brain rather than the intellectual/rational brain.

                                           HAIGHT ASHBURY QUARTET (link)

These 16mm art films derive from the Haight-Ashbury & related environs, 1967 - 71.

                                           TRIBAL VISION ARCHIVES (link)

Videotapes from the van-based Tribal Vision Network, 1971 - 1974  covering cultural reinhabitation of the West Coast, and Native California and Mexican medicine poeple.